Art Music Is Superior to Folk or Popular Music

Serious music, every bit opposed to pop or folk music

Fine art music (alternatively chosen classical music, cultivated music, serious music, and canonic music ^[1]) is music considered to be of high artful value.^[2] It typically implies advanced structural and theoretical considerations^[3] or a written musical tradition.^[4] In this context, the terms "serious" or "cultivated" are frequently used to present a contrast with ordinary, everyday music (i.e. popular and folk music, likewise chosen "vernacular music").^[2] Many cultures take art music traditions; in the Western earth the term typically refers to Western classical music.

Definition [edit]

In Western literature, "Art music" is more often than not used to refer to music descending from the tradition of Western classical music. Musicologist Philip Tagg refers to the elitism associated with art music every bit 1 of an "axiomatic triangle consisting of 'folk', 'art' and 'popular' musics".^[5] He explains that each of these three is distinguishable from the others according to certain criteria.^[five] Co-ordinate to Bruno Nettl, "Western classical music" may besides be synonymous with "fine art music", "canonic music", "cultivated music", "serious music", as well every bit the more flippantly used "real music" and "normal music".^[1] Musician Catherine Schmidt-Jones defines art music as "a music which requires significantly more than work past the listener to fully appreciate than is typical of popular music". In her view, "[t]his can include the more than challenging types of jazz and stone music, as well equally Classical".^[6]

The term "fine art music" refers primarily to classical traditions (including contemporary likewise as historical classical music forms) that focus on formal styles, invite technical and detailed deconstruction^[three] and criticism, and need focused attention from the listener. In strict western exercise, art music is considered primarily a written musical tradition,^[4] preserved in some form of music notation, as opposed to being transmitted orally, by rote, or in recordings (like pop and traditional music).^{[4] [vii]}

Popular music [edit]

There have been continual attempts throughout the history of popular music to make a merits for itself as art rather than every bit popular culture, and a number of music styles that were previously understood every bit "popular music" take since been categorized in the fine art or classical category.^[8] According to the academic Tim Wall, the about meaning case of the struggle between Tin Pan Alley, African-American, vernacular, and art discourses was in jazz. As early as the 1930s, artists attempted to cultivate ideas of "symphonic jazz", taking it away from its perceived vernacular and black American roots. Post-obit these developments, histories of popular music tend to marginalize jazz, partly because the reformulation of jazz in the art discourse has been so successful that many (as of 2022) would non consider information technology a form of pop music.^[8]

At the first of the 20th century, art music was divided into "serious music" and "light music".^[9] During the 2d half of the century, in that location was a large-scale trend in American culture toward blurring the boundaries betwixt art and pop music.^[10] Beginning in 1966, the degree of social and artistic dialogue among rock musicians dramatically accelerated for bands who fused elements of composed music with the oral musical traditions of rock.^[11] During the belatedly 1960s and 1970s, progressive stone bands represented a form of crossover music that combined stone with high art musical forms either through quotation, allusion, or imitation.^[10] Progressive music may be equated with explicit references to aspects of art music, sometimes resulting in the reification of rock every bit art music.^[11]

While progressive stone is ofttimes cited for its merging of high culture and low culture, few artists incorporated literal classical themes in their work to any corking degree, as author Kevin Holm-Hudson explains: "sometimes progressive stone fails to integrate classical sources ... [it] moves continuously between explicit and implicit references to genres and strategies derived not merely from European art music, just other cultural domains (such every bit East Indian, Celtic, folk, and African) and hence involves a continuous aesthetic movement between formalism and eclecticism".^[11]

Run across also [edit]

• Listing of classical and art music traditions
• Art vocal
• Music genre
• Progressive music
• Traditional music

References [edit]

1. ^ ^{a b} Bruno Nettl (1995). Heartland Excursions: Ethnomusicological Reflections on Schools of Music. University of Illinois Press. p. 3. ISBN978-0-252-06468-v.
2. ^ ^{a b} Eisentraut, Jochen (2013). The Accessibility of Music: Participation, Reception, and Contact. Cambridge University Press. pp. 8, 196. ISBN978-one-107-02483-0.
3. ^ ^{a b} Jacques Siron, "Musique Savante (Serious music)", Dictionnaire des mots de la musique (Paris: Outre Mesure): 242. ISBN 2-907891-22-7
4. ^ ^{a b c} Denis Arnold, "Art Music, Art Song", in The New Oxford Companion to Music, Volume 1: A–J (Oxford and New York: Oxford University Printing, 1983): 111. ISBN 0-19-311316-3
5. ^ ^{a b} Philip Tagg, "Analysing Popular Music: Theory, Method and Practice", Popular Music 2 (1982): 41.
6. ^ Schmidt-Jones, Catherine (x January 2007). "What Kind of Music Is That?". Connexions . Retrieved 12 December 2008.
7. ^ Philip Tagg, "Analysing Popular Music: Theory, Method and Practise", Popular Music 2 (1982): 37–67, hither 41–42.
8. ^ ^{a b} Tim Wall (2013). Studying Pop Music Culture. SAGE Publications. pp. 42–43. ISBN978-1-4462-9101-half-dozen.
9. ^ Michal Smoira Cohn (2010). The Mission and Bulletin of Music: Building Blocks to the Aesthetics of Music in our Time. Cambridge Scholars Publishing. pp. 93–94. ISBN978-one-4438-1883-4.
10. ^ ^{a b} Jacqueline Edmondson, ed. (2013). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture. ABC-CLIO. pp. 317, 1233. ISBN978-0-313-39348-eight.
11. ^ ^{a b c} Kevin Holm-Hudson, ed. (2013). Progressive Rock Reconsidered. Routledge. pp. 85–87. ISBN978-one-135-71022-4.

Further reading [edit]

• Rockwell, John (26 June 1983). "Popular Music Takes a Serious Plough". The New York Times.
• Church, Michael, ed. (2015). The Other Classical Musics: Fifteen Great Traditions. Woodbridge: Boydell Press. ISBN978-1-84383-726-eight.

External links [edit]

• Media related to Art music at Wikimedia Eatables

lawsonhavern.blogspot.com

Source: https://en.wikipedia.org/wiki/Art_music

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